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By contrast Clifford lives a life of comfortable gentility, indulging in frequent parties whose guests dance to Scott Joplin rag-times played by a servile band.It is these class-differences that inspire Mellors' resentment.We see Mellors (Richard Madden) and Connie (Holliday Grainger) making love, but it is tastefully filmed by the fire in Mellors' shack, using lighting strongly reminiscent of Russell's WOMEN IN LOVE (1969).Director Mercurio seems far more interested in exploring the consequences of class-difference in a highly stratified society.

Europe has been a place of battles and political intrigue for centuries.

While Constance loves her husband, she has grown weary of her life as a bird in a gilded cage, as well as her husband's lack of affection.

One day, Constance steps out to take a walk and pauses to tell Parkin (Jean-Louis Coulloc'h), the estate's groundskeeper, that the cook would like him to shoot a pheasant for the evening's meal.

The film opens with a mining accident in which Ivy's husband Ted (Chris Morrison) is crushed to death by an underground fall of coal.

Left with little or nothing to survive on, Ivy can only eke out an existence serving the rich.

The reason for his feelings is clearly explained towards the end; suffice to say that he believes that the landed gentry have little or no conception of what it is to live on the bread-line, at the beck and call of the upper classes.

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